Owner Sven-H. Gawron,
Double Bassist

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Double Bass Point Viersen - Double Basses & Co.

Kontrabasspunkt Viersen will be present this summer at the following events:

Hall 2 - Stand 29

Please ask for ticket vouchers, in case you are planning to visit Cremona!


Double Basses, Bows etc...

 

Quick-Finder
Double Basses
Bows

 

Important Informations

 

  • Because of Corana restrictions visits actually can only be accepted after email or telephone reservation !
  • Spoken languages: English, French, German, Italian, Spanish, Dutch
  • A guest room ......especially for foreign and far travelling customers who often suffer under time stress. This creates a relaxed and calm atmosphere which is essential for an effective trial period during the stay.
  • As being a bassist myself I am able to present you all instruments and bows playing, so that you can judge their quality also from distance.
  • Massive student instruments in reasonable quality always on stock, simple starter instruments by special request only, expert setup guaranteed!
  • Antique instruments in need of restaurations according to stock, please ask

 

 

Double Basses

All instruments are in very good condition and easy to play. Modifications by request

 

Description
Model
Back
Ribs
Upper-Mid-Low (cm)
String-length (cm)
Condition & Sound

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3/4 4-S, Student-Instrument in good quality
Violin
flat

50 - 35 - 67 - 16/21,5

 

 

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D-104,5
Fine hand made double bass with solid spruce top and birdeye maple for back and ribs, quality mechanics. Good allround instrument for Jazz, classical music or other..., good response, full sound and good projection!

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3/4 4-S Bass made ca. 1910 in Hungary/ Austria
Gamba
flat

53 - 36 - 66 - 11/19,5

 

 

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D-103
Nice old Solobass from the Austrian-Hungarian region. Fully restored and revarnished. Suitable for Jazz, Chamber Music and Solo, direct and full bodied tone with good projection!

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3/4 4-S Storioni-Schule ca. 1780 incl. custom made Mooradian Gigbag

Birne
flat

46 -36 - 60 - 17,5/ 30

 

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D-104

Very nice Solobass with delicate tone and precise projection on long distance. Very good condition and easy to play!

Certificate by Paul Biasi/ New York 1996

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3/4 4-S Wenzel B. Wilfer ca. 1960

Gamba
round

50 -38 - 67 - 17/ 21,5

 

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D-104

Solid allround bass with powerful tone, very easy to play!

3/4 4-S Solobass (inspired by Charles Quenoil), handcrafted by Tobias Pöhling, generally revised in the workshop of Double Bass Point Viersen!
Violin
round

44 - 32 - 67 - 13/ 20

 

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D-105,5
Comfortable solo bass, very easy to play, great projection!

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3/4 4-S, Jerome Thibouville Lamy ca. 1930 with label inside "Maison S. E. Coiffier" (important retailer of musical instruments at the beginning of the 20th century)
Gamba
round

48,5 - 35 - 65,5 - 14,5/ 20

 

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D-106
Fine allround bass with strong tone and easy response. Impeccable condition.

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3/4 4-S, Jerome Thibouville Lamy, labelled Albert Deblaye Lutherie Artistique Mirecourt 1950

Gamba
round

49 - 36 - 65,5 - 15/ 19,5

 

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D-105,5
Comfortable solobass with great tone, excellent projection and easy response. Restored condition.

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3/4 4-S Bass made ca.1900 in Bohemia
Gamba
flat

52 - 35 - 67 - 20

 

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D-106
very nice bass for classical music or Jazz

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3/4 4-S, Markneukirchen ca. 1900
Gamba
flat

53 - 36 - 64 - 20

 

 

 

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D-106,5
Excellent solo and chamber music bass, perfect state

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3/4 4-S Bass Bohemia ca. 1850
Gamba
flat

51,5 - 36,5 - 64 - 16/ 20,5

 

 

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D-102,5
Typical model of this time period from Markneukirchen. Fully restored and with optimum setup. Suitable for any kind of music, Jazz, Chamber Music, Orchestra or Solo. Strong carrying tone and good responsewith combined with excellent projection.

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3/4 4-S Jacquet-Gand ca. 1880
Gamba
flat
53 - 38 - 66 - 15,5/ 20
D-108
Very beautifull Jacquet-Bass, fully restored, with very charming sound and big tone capacity on long distance! Excellent chamber and orchestra instrument

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3/4 4-S,Thibouville-Lamy, Model Buthod/ Mirecourt ca. 1900

Gamba
flat

50 - 37 - 67 - 16/20

 

 

 

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D-106,5

Typical Mirecourt Bass from the end of the 19th century, totally restored. Well definated tone with good response in all registers.

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4/4 5-S by Benedikt Lang/ Mittenwald ca. 1930
Gamba
round

48,5 - 37 - 68,5 - 17,5/ 20

 

 

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D-108

Easy playable well funcioning 5-stringer in good restored condition, last repair check April 2020 in my workshop. Great warm sound with easy response and good projection.

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4/4 4-S in the style of Barbe/ Dijon 19th century
Gamba
flat

55 - 39,5 - 70,5 - 15/20

 

 

 

D-110
Fine 4-string bass with great carrying tone, warm balanced sound, easy response. Very good condition.

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4/4 4-S Hilaire Darche (1862 – 1929), Bruxelles ca. 1880
Gamba
round

53 - 38 - 69 - 16/20,5

 

 

 

D-105
Fine 4-stringer with big carrying tone, warm and balanced sound, easy response. Good well-cared condition.

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4/4 5-S Grünert 1980
Gamba
round

51,5 - 37,5 - 71 - 17/21,5

 

 

 

D-108
Fine 5-stringer with great carrying tone, warm balanced sound, easy response. Very good condition, no cracks. This instrument was regularly inspected in the Grünert work shop!

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Bows German Grip

Each bow has been carefully revised by our bow maker and is fitted with new hair.
Description Weight (g) Stick length without screw (cm) Playable hair length (cm)
Violone/-Cello bow with German frog made by H.R. Pfretzschner ca. 1970, fine round pernambuco stick.
83
69,5
59,5
Markus Fischer, stamped J.S.Finkel/ Edicson Ruiz - Der goldene Bogen 2012, Gold mounted, very good solo bow!
135
69,5
55,5
Old pernambuco bow ca. 1900, round stick nickel silver mounted, very good restored condition, perfect balance, no feel of heavy weight
154
71,0
57,5
Stamped AH, Alfred Hammig (apprentice of Hums), probably made by Richard Grünke, who worked in that period for the company Paesold, which made bows for Hammig, which kept on using this stamp after 1960. Very good octogonal stick nickel silvermounted.
136
72,2
58,0
Friedrich Wunderlich, gestempelt FR. WUNDERLICH LEIPZIG, Silber montiert
129
74,2
59,5
H.R. Pfretzschner, round stick silver mounted, very good condition sold
138
73,5
60,0
W.M. Mönnig & Son
135
69,5
56,0
Ca. 1870, restored by Michael Dölling, fine stick of superb wood, silver mounted. With certificate of origin by Raffin.
128
67,3
54,5

H.R. Pfretzschner before 1900 - very rare, silver mountedt, very good original condition. Stick stamped on both sides, original frog without coat of arms.

147
75,4
61,5
G. W. Renz, round stick nickel silver mounted, very good condition
135
71,3
57,0
G. W. Renz, octogonal stick nickel silver mounted, very good condition
135
71,3
57,0
Paul Rich. Heberlein ca. 1950/60, octogonal stick nickel silver mounted, new and unplayed!
150
73,7
60,5
Paul Rich. Heberlein ca. 1930, round stick silver mounted
135
70,7
56,5
R. Weichold/ Dresden 19th century, very good original condition
133
69,1
56,5

 

Since time is rare, not all bows can be put online every time, so here is just a small selection. There are always many more available...

It is highly recommended to come for a visit together with your instrument, so that you can find out the bow which fits and works best for you and your bass!

Being a bassist my self I am able to present you all bows playing, so that you are able to judge them also from distance.

 

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Bows French Grip

Each bow has been carefully revised by our bow maker and is fitted with new hair.

 

Description Weight (g) Stick length without screw (cm) Playable hair length (cm)
H.R. Pfretzschner ca. 1910/20 Model Ideal, silver mounted, very good original condition.
126
64,0
54,0

H.R. Pfretzschner ca. 1930, nickelsilver mounted, very good original condition.

134
69,0
56,0
Roger Francois Lotte, stamped "Dupuy à Paris", round stick silver mounted, good condition. Excellent solo bow!
128
67,0
54,0
Roger Francois Lotte, stamped "Dupuy à Paris", octogonal stick silver mounted, very good condition. Excellent solo bow!
126
64,0
54,0
Francois Lotte, Neusilber montiert, certificate Atelier Raffin
133
68,0
54,5
Maline-school in the style of Simon FR ca. 1850, Pernambuk nickel silver mounted, very good restored condition.
145
61,0
47,2
Prosper Colas, very good original condition.
139
63,5
49,0
Louis Gillet ca.1945, stamped "Dupuy à Paris" octogonal stick silver mounted, good condition, with certificate by Atelier Raffin.
140
68,5
56,5

Louis Gillet ca.1955, stamped "Dupuy à Paris" round stick silver mounted, good condition, with certificate by Atelier Raffin.

139
68,5
56,5
Louis Bazin, stamped Gautié et Fils Toulouse, nickel silver mounted, very good original condition, certificate Atelier Raffin.
135
63,5
50,5
122
66,0
53,5
Morizot Pere ca. 1930 with open frog, certificate by Raffin. Excellent original condition!
125
64,5
51,0
Louis Morizot Freres, nickel silver mounted, certificate Atelier Raffin.
153
63,5
49,3
Louis Morizot Freres, nickel silver mounted
111
66,5
53,5
Emile Francois Ouchard Père, silver mounted certificate Jacques Poullot
136
66,0
53,0
Ouchard Père stamped Cuniot-Hury, nickel silver mounted. Certificate Atelier Raffin.
135
62,5
49,0
Emile Auguste Ouchard Fils ca. 1955, Silber montiert, certificate Atelier Raffin.
120
71,0
59,0
Emile Auguste Ouchard Fils, Silber montiert, certificate
122
70,0
56,5
André Chardon, silver mounted, marked Chanot & Chardon Paris on the stick and CCC under the frog
125
68,5
54,5
Albert Fleury, silver mounted
119
68,0
55,0
Victor Fétique, silver mounted, very good original condition.
120
63,0
50,5

Marcel Lapierre, stamped Dupuy à Paris, silver mounted, good original condition, Certificate by Raffin.

126
69,0
53,5

Emilio Slaviero, silver mounted, very good condition, certificate by Slaviero himself.

128
67,0
53,5
FR.WUNDERLICH LEIPZIG, nickelsilver mounted. With this extraordinary stick length the bow has still a perfect balance, a real masterpiece!
130
78,0
64,0
FR.WUNDERLICH LEIPZIG, nickelsilver mounted. With this extraordinary stick length the bow has still a perfect balance, a real masterpiece!
132
77,0
63,0

 

...in addition numerous other french bows of various schools

It is highly recommended to come for a visit together with your instrument, so that you can find out the bow which fits and works best for you and your bass!

Being a bassist my self I am able to present you all bows playing, so that you are able to judge them also from distance.

 

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Bows historic

Each bow has been carefully revised by our bow maker and is fitted with new hair.

 

Description Weight (g) Stick length without screw (cm) Playable hair length (cm)
German baroque bow with hammer head and ebony frog ca. 1900, cherry stick nickel silver mounted
169
66,0
52,0
German baroque bow with hammer head and cherry frog ca. 1900, cherry stick nuckel silver mounted
154
66,0
51,0
German baroque bow with hammer head ca. 1900, high quality brazil stick nickel silver mounted
162
67,3

54,0

English baroque bow - Dragonetti-Model with ebony screw, konvex pernambuco stick nickel silver mounted
157
65,5
52,5
English baroque bow - Dragonetti-model with fixed frog
142
69,0
51,5
German baroque bow- Dragonetti-Model, Neusilber montiert
164
66,7
53,0
German baroque bow with hammer head ca. 1900, nickel silver
182
67,0
53,0
J. Thibouville LY French Dragonetti-model konvex stick with ebony frog and brass screw
154
63,5
51,5
Bazin-school French Dragonetti-Model with open Brasil frog and brass screw
152
63,6
51,0
Charles Nicolas Bazin Dragonetti-model with open Brasil frog and brass screw
131
63,0
50,0
Charles Nicolas Bazin Dragonetti-model with open Brasil frog and brass screw
128
63,0
50,5
In the style of Pierre Cuniot, French model ironwood, very good restored condition
149
63,3
48,5
Peccatte-school French modell Schlangenholz, very good restored condition
175
63,0
48,5
Charles Louis Bazin, French model with open Brasil frog and brass screw, very good original condition!
140
60,7
46,0
Bazin-school ca. 1900, French model with open Brasil frog and brass screw. Certificate Raffin
148
64,0
50,5
French Modell Dragonetti ironwood ca. 1880-1900 with open conic brasil frog and brass screw.
184
61,0
47,0

 

...in addition numerous other bows ...

It is highly recommended to come for a visit together with your instrument, so that you can find out the bow which fits and works best for you and your bass!

Being a bassist my self I am able to present you all bows playing, so that you are able to judge them also from distance.

 

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Gigbags

 

Description

Christopher Double bass Gigbag "Deluxe" 3/4 or 4/4

 

 

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Transducers & Microphones

 

Description

FWF B1  Pickup "Underwood" - Style/ 2 Elements

 

 

Vektor™Kontramike

Phantom Power 9V requested!

Our Recommendation:

Schertler Yellow Single Preamp

or

LR Baggs Gig Pro

 

 

Authentic acoustic Sound !

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Amplification-Systems

 

Description

Schertler "LaFaro Deluxe"

Weight: 19.10 Kg - 42.10 Lib.

Dimensions: 37x45hx33.5 cm - 14.5x17.7hx13.2 Inch

Speakers: 1” Doom Tweeter - 8” Woofer

Construction: Plywood

Channels: 2 independent channels

Effects: No integrated effects

Preamp: CLASS-A - no integrated circuits

Power: 280 Watts bi-amplified

 

Check it out live "this reference class amp" in our shop !!!

Schertler Yellow Single Pre-Amp

modern and sophisticated design, build in a robust and light aluminum case.
maximum two input channels for all kind of microphones and pick-ups.
maximum four output lines with multiple connections
headphones output
send & return for effect loop
four band EQ and extra dedicated filters on the main channel to ensure wide range of tonal controls and maximum flexibility.
hi-end pure class A electronics for the best possible sound performance

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Specials

 

Description

CD My Double Bass, Ödön Racz

 

 

 

Waka Waka Power

Powerpack for out door activities!

 

Recharges your Smartphone with sun energy and also works as an effective lamp light on the road ...

USB-exit, 3 switchable light rates and SOS-function!

 

Technical data sheed

Competitive Price!

on request by Email - Please click here !

 

The Sommerhoff precision oil-pencil made of aluminum and is the only precision-oil-dispenser for any kind of oil including alcali oil and any other kind of fluids.

The Sommerhoff precision oil-pencil dispenses finely dosed quantities dropwise. Even oils with very low viscosity cannot leak out after long terms of laying intermission. This oil pencil of highest production quality without compromises satisfies even the highest professional expectations.

 

Prices on request by Email - Please click here !

 

Especially recommended for the care of brass wind instruments but also for cleaning up resistent rosin spots on string instruments with orange oil.

The usage is very easy. You can fill in ca. 5 ml oil into the aluminium tank and dispensing the oil dropwise by pressing the button on top of the pencil.

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Sven-Henrik Gawron,
Wine Connoisseur
Great choice of
Instruments
 
Service-Workplace
 
Hand made elektric
Upright Basses